User:Llol111/How-Do-RP
How do Ahr Peh?
This page aims to give you a rough and basic idea how one might achieve this illusive and sought after good known as "RolePlay".
The ideas and suggestions on this page are not rules, but they are meant to outline what exactly we're looking for when we say "Ahrr Peeh".
Where as the rules generally say what you shall not do, and rarely what you must do, this is meant to be a collection of best practices and things you should probably do (dont dont strictly have to).
We'd like to have a pretty robust level of roleplay, but we're also here to have fun - it can sometimes be for the best to go slightly out of character or such. Ask an admin if in doubt.
The Basics
The fundamental of all roleplay is acting. Your spessman is not a mere extension of your will, created to manipulate the game - they are more like a character in a stage play.
They have feelings, motivations, personality and they have always lived in the spessman-station universe and were'nt dropped into it for just this round.
When you are faced with a choice, the question popping into your head should be "what would my character do in this situation?" (and not something like "what do i need to do to win?")
It can be tough to achive this if you are not used to roleplay or acting in general, but we all start somewhere. There are sevral things you can do to make things easier on yourself and achive better results.
It's up to you if you want to, but if you have trouble keeping track of these things you might want to write some of them down, like one might on an RPG character sheet.
None of this has to be immensely detailed or advanced though - its usualy fine and more fun to have only somewhat rough outlines, and fill the gaps with Improv - see the section on that for how one might do that.
Virtues and Flaws
While a decent level of silly is acceptable and even desirable, it is none the less desirable for your character to be somewhat believable.
One thing that can ruin credibility without even necessarily going out of character is accidentaly playing a marry sue.
Believeable characters have both virtues and flaws. There are things they are good at and things they are bad at, things they know and things they don't, and so on.
There is no real limit (besides the server rules) on what a strength or a flaw can be. There are some things to look out for though.
This isn't a job interview, so probably dont try to have "flaws" that are actualy positives, like "too hard working". That can work for sure, but is hard to get right if you are not experienced.
These are a major part of what defines your character and how they act, so you should pick some you like and that fit your vision. Here are some examples of what i'm talking about so you can get a better feel.
| Virtues | Flaws |
|---|---|
| I am worthy of reliance and trust, loyal to superiors and friends. | I'm a coward, will get scared easily and might bow to threats. |
| I am not easily scared or cowed, atleast outwardly. | I follow orders, even if I think they're wrong. |
| I am always willing to lend a helping hand to someone in need. | Despite my best efforts, I am unreliable to my friends. |
| I always make the moral choice, even if it might disadvantage me. | I can't resist taking a risk if there's money to be made. |
They dont have to be something huge and immensely defining about your character, though. Good character have smaller details aswell, like being a smoker or a functional alcoholic.
Some ideas can also be supported mechanically with the quirk system our character creator provides, like being a smoker.
Lastly for this sub-section - If you are an antagonist, you have significantly more leeway to play a "Hardened Basass" type Character. Having flaws is interesting for others and a good challenge for you as an antag - but if you want to have balls of steel and kick ass, being an antag is the best time to do that.
Personality
Your character's Virtues and Flaws are bound to make up a significant part your character's Personality, but they are not necessarily all there is.
Naturally your character can also have preferences and traits that are not strictly positive or negative. This can be something like their favorite drink, or larger behavioural patterns.
Backstory
You do not need to have a Backstory that involves pages upon pages of story and details. Heck, if you're confident in your ability to consistently play a believable character without one you dont need one at all.
However, we recommend having at least a vague backstory in mind. Keeping it vague is nice, since you can make up details and events on the fly as the need arises. But some rough story should be laid out, this will help you play your character in a consistent manner, and can serve to motivate your character's presonality and Flaws/Virtues.
Some things you could think about are:
- How did your character get to the position they're in now?
- Why is your spessman the way it is? What made them this way?
Some examples:
"My Uncle is a higher-up at CentCom, so i got my position as [CommandMember] via nepotism, not talent"
"After 20 Years of grabbing coffee for people as an assistant, finally i was promoted to my dream job as Janitor!"
"My parents were killed in a freak cat accident, this is why i have a subconscious bias against cats and catpeople"
"I just got out of the academy and got my first assignment as a Security Officer on some far off space station. Im new at my job and it shows"
"My Homestation was attacked by the Syndicate when i was a child, this left me with some PTSD and a deep-seated fear of betrayal."
"I've been installing engines on stations for three decades, and due to my sheer experience they eventualy promoted me to Chief Engineer. Im a little set in my ways, but i get it done."
Improv
Improv is a style of roleplay/comedy that works extremely well in SS13's environment. Many players 'gimmicks' are an instinctive attempt at improv, and when a player's gimmick doesn't go anywhere it's often because other players are breaking the basic rules of improv without even knowing it. Since improvisation is a form of comedy, this section is very important knowledge for Clowns. Any player roleplay will be improved by keeping these in mind though, not just that of a clown. I guarantee you, you will start to enjoy the game more if you apply at least some of these rules, they will make people start to notice you more, and they are a great cure for the "must win" syndrome.
- 1 Always agree
- 2 Say 'Yes, and'
- 3 Don't ask questions, make statements
- 4 Use your environment
- 5 You can look good by making someone else look good
- 6 You don't HAVE to be Funny
- 7 Just make a choice already
- 8 Go line for line and LISTEN
- 9 Play The Opposite
- 10 EXIT WITH A PURPOSE
Always agree
This is the most important rule of them all. Whatever scene another player has started or finds themselves in, if you just say 'No, fuck off', the scene is immediately destroyed and all players now find themselves in a silent and tense shuffle.
Make it a good habit to just say 'Yes!' to anything, even if it wasn't a question! It's the easiest way to start a scene, the easiest way to continue a scene, and it will lead you to all kinds of memorable situations. Remember: It's more impressive to be bold than to be funny.
Basic example:
ASSISTANT: Clown! Let's go mug someone!
- If you say 'No, we'll get in trouble', the scene is over and there's almost no way something funny can happen here. If you AGREE, not only do you contribute to something funny happening, but you'll see it happen as well. -
Say 'Yes, and'
Always keep a scene moving forward! Don't just agree, but throw in your own bit of improvisation as well. You don't -always- have to come up with something on the spot, but it's a good habit to make an effort to.
Example:
ASSISTANT: Clown! Do you like my gun? [ASSISTANT shows a mop]
- If you say 'That's not a gun', the scene is over. If you say 'Yes!' and nothing else, then the conversation stagnates anyway unless the Assistant is witty enough to keep it floating. If you say... -
CLOWN: Yes! We could totally mug someone with that!
- ...the scene moves forwards, and best case scenario, the Assistant will ALWAYS AGREE! -
Don't ask questions, make statements
Questions, especially open-ended questions, slow down the scene and force your partner to answer them for you. Besides, the more unknown there is, the more wiggle there is to make some shit up for a joke, or even for an antag to get away with doing something creatively. Rhetorical questions are fine, since they're basically a disguised statement.
Of course, you will have to wiggle your way around this somewhat if you're a role 'important to the station'. But try to sometime be a little more bold and dull your instincts of caution around people you know are antagonists - don't interrogate them, come up with some outlandish idea of what their plan must be.
Use your environment
Point out the mood of a room. Make a mental list of all the props on the tables, especially things that aren't usually there. Come up with outlandish ideas of what must have happened here. Look through the people in the room, one by one, and start coming up with gags or ideas that use all of those. You're not always going to come up with something amazing, or something at all, but it's a good habit to consider your environment as a source of interesting-ness. It can be as simple as remembering fire extinguishers exist!
You can look good by making someone else look good
Don't be the star of the show! Your hilarity is multiplied with the hilarity of everyone else around you! Anytime your partner does something, make it your first thought to do a follow-up (or just a background action) that will make what they did funnier. And if your partner makes a mistake, that's a golden opportunity to turn the mistake into something funny! Or at the very least, do the exact same mistake to make it look intended.
Simplest example of this: If your partner slips on their own banana peel, you slip right on top of them and pretend they are a genius.
You don't HAVE to be Funny
Funny is good, but the real goal is to end up in interesting situations. The kind of stuff that you know is going into someone's greentext. Often, these won't be funny. They'll just be bold, or surprising, or just naturally come out of you being there at the right moment. Bottom line is: Not everything is a joke, but everything is a play.
Just make a choice already
It's better to be confidently wrong than to "uhhhhhhh..." and drag on an problem for way too long. The more you're busy thinking what the right thing to say is, the more you miss. The more you plan, the more you miss. The more you judge (yourself or others), the more you miss. The more you think about the really funny grenade that someone threw at the security officer last round... the more you miss! Don't take more than a couple seconds to decide anything, and don't try too hard to make the right choice either. Be spontaneous, trust your imagination, and keep going forwards. Did you fuck it up? Good, now keep going.
Go line for line and LISTEN
You have two ears and one mouth, so you should listen twice as much as you shout. Listen. I mean really listen. More than hear, you watch, feel, smell and taste. You pay attention to what people say and do. Not just to bits of it, but right to the end of their act, because the ending is often where the gold stuff is. Don’t bother planning what you’re going to say or try and second guess their act or what the other person might say, because you won’t be able to.
Play The Opposite
Trying too hard to be clever or funny can sometimes make people freeze up instead. Doing the opposite and being obvious allows everyone to relax and be in the present moment and discover things line by line, moment by moment. What’s obvious to you is oftentimes massively creative to someone else, because they don’t see the world through your eyes.
EXIT WITH A PURPOSE
There are certain things people just don't like doing, like dying. That's because they would be out of the round. Leave the round before it's over? Never! In fact, any strong action: dying, arresting, killing, or otherwise removing someone from the round is likely to be avoided as much as possible.
You're told one of you has to die. Minutes go by and people are making veiled threats. Hours pass. Night falls. Everyone is alive. Just get it over with, man. Sometimes you just have to take a strong action. It may seem like drawing it out adds drama, but in reality it adds time, it adds talking, it adds boredom. Rarely does it ever actually add drama, because you're not resolving the unknown factor. Taking a strong stand does add drama, because you're resolving the unknown factor. Just hurry up and bite the bullet, literally, so we can all find out how it plays out.